|
| |
|
ZASZ –
wakeup.feelsomething |
|
Band/artist: ZASZ
Title: wakeup.feelsomething
Released: 2007
Label: Self Released
|

|
Track
listing:
1. The Bullet...
2. ...and the Gun
3. Controlled/Unconcerned
4. Disaster Generation
5. wakeup.feelsomething
6. Heaven When I'm Gone
7. Panic Room
8. Apathy Like Sunshine
9. Aviator (Get Out)
10. A Deviant's Prayer for Peace |
 |
The Players
Benjamin Schwenen (guitar, synth-guitar, programming), Thorsten Harnitz
(drums, percussion, programming), Anthony Roldan (bass) |
 |

|
ZASZ
is a young and upcoming band from Pennsylvania USA, that at the time of
the recording of their debut album still had not settled as a group,
with two musicians listed as members and the rest of the musicians
listed as "Featuring" on the credits. In other words, this is an outfit
still in its formative stages, and one we're likely to hear more from if
they manage to stabilize.
"wakeup.feelsomething" was released late in 2007, available as an
old-fashioned CD as well as digital files from a number of resellers.
Although young, these guys obviously are smart enough to know that the
physical media is far from dead, there are still quite a few people out
there who likes the sense of ownership you get when buying a CD. And
this is a title which hopefully will find its way into many collections
in physical as well as digital shape.
Not that the music here is that revolutionary or groundbreaking though.
The band list up a plethora of influences, ranging from Pink Floyd and
Led Zeppelin to Radiohead, The Mars Volta and Black Sabbath, on their
MySpace page. What sets this band slightly apart though, is that they
try their best to incorporate all their influences into each and every
song. This results in compositions with lots of twists and turns in
style, atmosphere and mood. Conventional song structures is something
you'll have to listen intently to find, if any at all. The songs are
forever moving, changing and wandering. Certain parts and themes are
repeated in more or less altered forms throughout each song, and some
constants see to it that the tunes have some stability, but change and
evolvement dominates. I would guess that The Mars Volta is a major
influence when it comes to song structure here, although this is based
on description mostly.

Surprisingly, the piano is a highly central instrument in most tunes;
and will often be the main melody provider instead of underscoring
guitars. The guitars and bass are very much present though, the former
with harmonic melodies, drawn out chords and slick and at times staccato
riff structures - and often with a distinct psychedelic tinge to the
sound. The latter is a tad more subservient in the soundscapes here,
more often giving the song drive and groove rather than providing
dominating melodic patterns.
This album is high on melody, which may be a surprise. Despite all the
changes occurring, the melody is central most times from start to
finish. From REM influenced passages to ska, jazz, grunge and
alternative; a melody is always present.
Fans and followers of bands trying to be creative and experimental while
still producing accessible and melodic material might want to check out
these guys further. Personally I'd guess that many people into The Mars
Volta as well as bands like Porcupine Tree might find this release
interesting. This is not a CD that will change the world in any way
though; but it is a solid and strong release of modern, complex
progressive rock.
Rating: 8 (out of 10)
Reviewer: Olav Björnsen
Visit the Artist’s Website

Discography
wakeup.feelsomething (2007)
(Review also featured on
www.progressiveears.com ) |

|
|